CITY OF ANGELS
"Look Out For Yourself" PHOTO: Dillon Burke
Scene into "Look Out For Yourself"
"Everybody's Gotta Be Somewhere"
"Everybody's Gotta Be Somewhere"
"Everybody's Gotta Be Somewhere" PHOTO: Dillon Burke
End of "Everybody's Gotta Be Somewhere"
"Everybody's Gotta Be Somewhere"
Scene into "Look Out For Yourself"
"Look Out For Yourself" PHOTO: Dillon Burke
"Prologue"
"Prologue"
"Stay With Me"
Scene before "Look Out For Yourself"
DIRECTOR Brian Sgambati
CHOREOGRAPHER Jasmine Canziani
MUSIC DIRECTOR Lauri Young
FIGHT CHOREOGRAPHER Vincent Lane
LIGHTING DESIGNER Vicki Neal
ASSOC. LIGHTING DESIGNER Sam Terrell
SET DESIGNER Phill Hickox
ASST. SET DESIGNER Selina Amargo
PROPS DESIGNER Erika Warrix
COSTUME DESIGNER Ryan Ginter
HAIR/MAKEUP DESIGN Fre Howard
SOUND DESIGNER Grace Oberhofer
ASST. SOUND DESIGNER Jack Woods
STAGE MANAGER Micah Hale
ASST. STAGE MANAGERS Harley Cooper, Holden Whalen
PHOTOGRAPHER Dillon Burke, Sam Terrell
FEATURING Amanda Marko, Jocelyn Oberle, Gavin Conner, Nika Skylar, Daniel SIani, Conner Perri, Cole Pickert, Layla Valenzuela, Harper Saxon, Theodore Max Markarian, Emma Mastoros, Salvatore Romania, Tori Cintorino, Daniel Torres.
CHOREOGRAPHER Jasmine Canziani
MUSIC DIRECTOR Lauri Young
FIGHT CHOREOGRAPHER Vincent Lane
LIGHTING DESIGNER Vicki Neal
ASSOC. LIGHTING DESIGNER Sam Terrell
SET DESIGNER Phill Hickox
ASST. SET DESIGNER Selina Amargo
PROPS DESIGNER Erika Warrix
COSTUME DESIGNER Ryan Ginter
HAIR/MAKEUP DESIGN Fre Howard
SOUND DESIGNER Grace Oberhofer
ASST. SOUND DESIGNER Jack Woods
STAGE MANAGER Micah Hale
ASST. STAGE MANAGERS Harley Cooper, Holden Whalen
PHOTOGRAPHER Dillon Burke, Sam Terrell
FEATURING Amanda Marko, Jocelyn Oberle, Gavin Conner, Nika Skylar, Daniel SIani, Conner Perri, Cole Pickert, Layla Valenzuela, Harper Saxon, Theodore Max Markarian, Emma Mastoros, Salvatore Romania, Tori Cintorino, Daniel Torres.
PROSCENIUM STYLE SPACE (Audience on 1 side)
I was the Associate Lighting Designer on this project. At Wagner, the Associate Lighting Designer is assigned a few scenes to light solo, which are the only scenes I have featured in the photos above.
For CITY OF ANGELS, I was assigned all Angel City Four (AC4) scenes and all scenes that led up to AC4 scenes (Top of Act 1: Prologue. Scene into "Look Out for Yourself" and "Look Out for Yourself," "Everybody's Gotta Be Somewhere," and "Stay With Me."
CITY OF ANGELS goes back and forth between 2 seperate worlds: the movie world, and the real world. The movie world is film noir black and white, and the real world is in color. This made directionality and intensity essential to storytelling.
The AC4 jumped between these 2 worlds constantly. To differentiate them from the realities, the colors used for each scene did reflected the world that the scene was taking place inside of in tone, but they existed in a more LED (as opposed to a conventional) setting.
