DIARY OF
A WIMPY KID
DIRECTORS Abby Bernesky, Ralph Bologna
CHOREOGRAPHER Emma Cornish
ASST. CHOREOGRAPHER Lexi Tull
MUSIC DIRECTOR Willow Fallon
ASST. MUSIC DIRECTOR Tahlia Colon
LIGHTING DESIGN Sam Terrell
ASSOCIATE LIGHTING DESIGN James Thibault, Lily Azevedo
SET DESIGN Selina Amargo
ASSISTANT SET DESIGN Holden Whalen
COSTUME/HAIR/MAKEUP DESIGN Rob Picciano
ASST. COSTUME/HAIR/MAKEUP DESIGN Kate Dewey
PROPS DESIGN Aiyana Torres
ASST. PROPS DESIGN Kat Sammons
SOUND DESIGN Moya Williams, Jack Woods
PRODUCTION STAGE MANAGEMENT Ann Hoye
ASST. STAGE MANAGEMENT Abigail Anders
PRODUCERS Wagner SRMT and Wagner CSP
CHOREOGRAPHER Emma Cornish
ASST. CHOREOGRAPHER Lexi Tull
MUSIC DIRECTOR Willow Fallon
ASST. MUSIC DIRECTOR Tahlia Colon
LIGHTING DESIGN Sam Terrell
ASSOCIATE LIGHTING DESIGN James Thibault, Lily Azevedo
SET DESIGN Selina Amargo
ASSISTANT SET DESIGN Holden Whalen
COSTUME/HAIR/MAKEUP DESIGN Rob Picciano
ASST. COSTUME/HAIR/MAKEUP DESIGN Kate Dewey
PROPS DESIGN Aiyana Torres
ASST. PROPS DESIGN Kat Sammons
SOUND DESIGN Moya Williams, Jack Woods
PRODUCTION STAGE MANAGEMENT Ann Hoye
ASST. STAGE MANAGEMENT Abigail Anders
PRODUCERS Wagner SRMT and Wagner CSP
FEATURING
Carl Sterling Smith, Ava Giglia, Richie Malinowski, Abby Smook, Anna McCarty, Kenzie McGowan, Mabel Vough, Sophie Watkins, David Azcona, Maddie Maclellan, Phineas Manasse-Latham, Summer Turkzynski, Joey Savage, Anthara Shivkumar, Mackenzie Walsh, Hailey Shafer, Julianne Donohue.
PERFORMED THRUST STYLE (Audience on 3 Sides)
The production was the personification of joy. A celebration of childhood; it was a privilege to work on, to watch, and to laugh to. What made this production so unique was that it's intended audience was the "former children" who grew up on the series.
Gatehouse lounge, the space which this is designed in, is a unique challenge to light in. We have 16 lights and 5 trees at our disposal. On the exterior, this seems like so little to work with- but it is incredible how much you can do with so little. Working in this space is great exercise in focusing on the possibilities rather than the limitations.
Gatehouse lounge, the space which this is designed in, is a unique challenge to light in. We have 16 lights and 5 trees at our disposal. On the exterior, this seems like so little to work with- but it is incredible how much you can do with so little. Working in this space is great exercise in focusing on the possibilities rather than the limitations.
In this show, comedy was essential. It was also important to capture the realities, the sense of childlike wonder (which is an often exaggerated, hyper-saturated reality), heightened emotions, and most importantly; the terror of the cheese touch.
This show was an absolute blast. I love to work in this space, and to get to do so with such a fun show and incredible team was a gift.
